Thanks for continuing to follow us through our February workshops. A special thanks to those of you who have been brave enough to share your work with us. We sincerely appreciate the opportunity offer up some of the things we’ve learned over the years, but also the chance to learn from you. If you haven’t yet, be sure to enter to win a 25 page critique from Month9Books editor, our very own Courtney Koshel.
“Some people feel the rain. Others just get wet.”
— Roger Miller
Today I’d like to talk about point-of-view, something that has always been highly important to me and something that has evolved in my writing over the years. For those of you who have read my stories, you know I like to dig my heels deeply into my characters’ hearts, set up camp, and then invite you in for a hot cup of coffee. It’s the best seat in the house.
There are three common points-of-view used in fiction: 1st person, 3rd person limited, and 3rd person omniscient. Two things usually dictate which one you choose: your writing style or your story. For me, first person is a choice I’ll make 9 times out of 10 because that’s how I connect to my characters and that’s what shapes the tone of my story. It’s a stylistic thing.
For others, it may vary from story to story. For instance, fantasy is often written in 3rd person because of the vast amount of world building that needs to be done, while Young Adult is commonly 1st person to create the familiar emotional intensity of adolescence in the reader. I’ll let you Google the many articles out there about which one is right for you, but no matter your choice, there are some common tips that mean the difference between watching the story play out on a mental screen and stepping into the character’s shoes.
Eliminating Filter Words
Courtney already gave us a wonderful post on filter words and in it she says, “They distance the reader from the story. It’s one extra step the reader has to take in order to experience action with the character.” There’s no better way to say it so I’ll leave it at that and encourage you to check out her post again for a list of common filter words.
Including the five senses is essential in each scene yet it often gets overlooked. I think we’re so used to experiencing the world through them, we take for granted that without them I wouldn’t be able to feel the warm blanket over my legs right now; I wouldn’t hear the space heater running beside the couch; I couldn’t see the screen in front of me to type this, or taste the remnants of the Granny Smith apple I ate a few minutes ago. I could have simply said I’m typing this on my iPad in my living room but don’t the use of my senses create a much clearer picture?
Character Thoughts and Feelings
In any given moment, a person has an emotional reaction or thought about what is happening around them, or what happened earlier in the day or week or month. They have feelings about what other people say or do, or what might happen in the future. It is a rare moment when we aren’t reacting to our surroundings. Bring your character to life by giving us a glimpse into his or her mind and heart with internal monologue, skillfully included using the POV of your choice. Make us feel it too.
There are many ways to put readers behind the eyes of your characters but these are just a few. They say you don’t know someone until you’ve walked a mile in their shoes, and a novel is a cross-country trek. Bring us along.
In the comments, I would love to see a few paragraphs of your work-in-progress where you might need a little help with implementing these techniques. The ladies and I here to support you and speaking from experience, nothing helps your grow in your craft more than trial and error with an encouraging group or writing friends.